Friday 20 January 2012

THE WIRE:
Season 4
(2006)

RATING:80%
FORMAT:DVD



Like Shakespeare, the characters here are so well-written that they all speak from their own point-of-view. This show is so good that one wonders why British tv is so poor currently (2006). The answer, of course, is that the latter is frightened to address the issues faced by the modern nation, as British Whites are frightened to understand the Institutional Racism (IR) behind last summer's UK riots.

Despite the variable quality of the actors, the series is very politically-realistic - rather than politically-correct. Whites are shown as lazy beneficiaries of IR; while Blacks must work hard to surmount the obstacles created by IR. This makes the show popular with Blacks, but (apparently) racist to Whites. This is reflected in the fact that the Black actors are uniformly-superb - especially the outstanding ones playing the younger street thugs - and by a Black audience that understands what is being presented (as the White one does not).

The urban decay and blight is shown to be a consequence of a White definition of community that is based on money - with no real sense of empathy and affinity. The lack of help from a White Federal Government is inevitable given the White desire to ensure poor Blacks stay poor so that they never become economic competition for Whites.

The self-contradiction is that such White supremacy is more expensive than diversity, since keeping Blacks in prison is far more expensive than encouraging them to be better citizens. Like the racial slavery that preceded it (abolished because it meant little work for poor Whites), present-day Whites still want to waste money oppressing Blacks.

This is a cop show that is not about good and evil, but about the relationship between economics and politics - and about the way in which this can negatively effect democracy. The importance of the story itself is so great that important characters get killed despite their popularity; making the drama as unpredictable as it is believable. The failings of the White educational system are particularly well highlighted, especially as regards teaching-to-the-test not the curriculum; resulting in the evaluation of teachers but not the students.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.