Subjective, first-person telling of the life of the greatest punk-rocker of them all. Like so many creatives, Ian DURY had a difficult childhood and worked his life to both overcome it and to prove that he had done so. Like Telstar, we are presented with a populist genius who used his talent to the best of his ability - despite his difficulties in finding self-acceptance and self-respect. Able-bodied people have achieved far less.
Despite good performances, the characterization is a little weak; making these people difficult to relate to. But the real problem here is the lack of a unifying theme to make sense of the events shown. This is reflected in the uncertainty of style between naturalism and Bob FOSSE-style theatrics.
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Saturday, 18 September 2010
Sex & Drugs & Rock & Roll
(2010)
60%
Copyright © 2010 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.
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Science:
Sleep of Reason:
The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.
(1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.
Humans & Aliens:
I am human and let nothing human be alien to me.
(circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.
Führerprinzip:
One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.
(1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)
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