Friday 3 September 2010

Bananas
(1971)

60%

WEBSITE: Bananas...


Back in the good old days when Woody Allen was funny, along came this minor gem of a satire on US-supported, Latin-American military dictatorships: Amusing with a few laugh-out-loud moments here. The film tends to go for absurdist and cartoonish slapstick rather than political humor. ALLEN had still to learn how to make his funny one-liners fit a more solid plot structure.

Despite the background, this film is really about an odd fact of sexual relationships in Western culture; namely, that the concept of give and take only works in business and not in personal relationships, despite the belief that business can be conflated with pleasure. This fact helps explain all of Woody ALLEN's best movies in their relentlessly-funny depictions of sexual, emotional and intellectual failure.

What went wrong with ALLEN is when he started taking his personal failings seriously and thinking these could be used to make good drama when they only result in self-indulgence and pretension.


Copyright © 2010 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.