Wednesday 13 August 2014

Uccellacci e Uccellini


Also Known As:
Hawks and Sparrows
Year:
1966
Country:
Italy…
Predominant Genre:
Comedy
Director:
Pier Paolo Pasolini…
Best Performances:
None
Premiss:
An old man and his son meet a speaking crow. They are changed into monks and sent them to preach for hawks and sparrows.
Themes:
Original Sin | Political Correctness | White culture | White guilt
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

[Hawks & Sparrows]

The usual Pier Paolo Pasolini stuff about the tensions between the Roman Catholic Church, personal morality and Communism. The Chaplinesque Totò is master of ceremonies as he presents the allegorical fable of a Franciscan brother who can talk to the birds – particularly the hawks and the sparrows of the title.

In true biblical style, this presents its idea via parable rather than by creating convincing characters and a realistic social milieu. The picaresque road movie plotting means many bizarre characters are met along the way but the inclusion of a Marxism spouting crow adds little to the proceedings which end up as little more than an amusing diversion.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.