Monday, 4 August 2014

Spider-Man 2.1

Also Known As:
Unknown
Year:
2004
Country/ies:
USA
Predominant Genre:
Fantasy
Author(s)/Director(s):
Sam Raimi
Best Performance(s):
J K SIMMONS
Premiss:
Beset with troubles in his failing personal life, our hero battles a brilliant scientist.
Theme(s):
Personal change
Self-expression
White supremacy
Similar (in Plot, Theme or Style) to:
Spider-Man
Review Format:
DVD

Superior sequel that deals with its themes effectively while striking the right balance between action and dramatic scenes - both complementing each other rather than drowning each other out. A Heidigger for beginners in its central character’s awareness of his need for dasein for his crime fighting to be effective, it is markedly more parodic than its predecessor and so that much more enjoyable.

Moreover, a more sensitive adaptation of the Spider-Man comic and less violent – as if the filmmakers gained confidence in an imperfect superhero; the first film being a rehearsal for the quality here. This combination of realism and fantasy is compelling.

The usual post-9/11 politics of claiming that formerly-alienated New Yorkers now stick together against unspeakable evil – be it terrorism or whatever – is risible, but dramatically effective.

A subtle analysis of the myth of the super hero from the point of view of a super coward. A personal hinterland requires a life divorced from punishing the bad guys but also entails hostages to fortune – those one loves. Peter Parker’s alias is scared to take this gamble, yet becomes less effective as your “friendly neighborhood Spider Man”. It is in the risk-taking that one becomes truly effective - as our hero learns while spending much time trying to run away from the very great privilege of his not inconsiderable abilities.

The performance of J K SIMMONS as J Jonah Jameson is a comic standout in a film replete with running gags and in-jokes for the fans.

The only real (minor) problem with this movie is its unrealistic violence: Those knocks that would badly bruise the likes of you and me hardly phase these characters.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute this posting in any format; provided mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.