Sunday 10 August 2014

Chihwaseon


Also Known As:
Chwihwaseon
Painted Fire
Strokes of Fire
Drunk on Women and Poetry
Year:
2002
Country:
South Korea
Predominant Genre:
Non-fiction
Director:
Im Kwon-taek
Best Performances:
Unknown
Premiss:
In a time of political and social unrest in nineteenth-century Korea, an uncouth, self-taught painter explores his natural talent amidst the repressive world around him.
Themes:
Personal change
Self-expression
Totalitarianism
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Talented artists can be a pain in the neck, but we need them more than they do us: For they create all the man-made beauty of the world.

This movie gets to grips with the mystery of what makes squiggles on paper into art. Our contemporary, self indulgent, so-called artists could learn a good deal from this.

Like Picasso, this artist cannot keep his hands off the decorous young things that are his muses: His art being his most honest expression of the life force – more, even, than of his making love. Talent makes you lonely, since you can only display it to others who understand, you can rarely truly share it with them; hence, the drunken self haunting of his own genius here.

However, this film remains strangely aloof from the genius exhibited, as if the director knows he can never match such sublimity; making the film something of an uninvolving experience.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.