Saturday, 26 July 2014

How the Irish Became White


Also Known As:
Unknown
Year:
1996
Country:
United States…
Predominant Genre:
Non-fiction
Author:
Noel Ignatiev…
Best Performances:
None
Premiss:
The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country, they found a social hierarchy based on skin color.
Themes:
Totalitarianism | Political Correctness | White supremacy
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
Book

A subtle and well researched exploration of White phenotypism directly addressing White solidarity. The desire to be accepted as White explains why Whites find it hard to break with their traditions by remaining complicit with today’s so called racism.

Racism is a concept with no basis in biology nor anthropology; being merely a political conceit offering Whites unearned economic advantages at non Whites’ expense. Whites are unlikely to kill the goose laying them golden eggs, so the Irish became White because they adopted the attitudes of those they resembled to avoid the segregation they experienced when initially lumped with Blacks.

Those identifying as “White” come out badly from this highly critical, well written and accessible book; explaining why today’s skin fetishism persuades Whites to avoid the label “Race Traitor”.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.