Saturday, 12 July 2014

Our Man in Havana

Also known as:
Unknown
Year:
1960
Country/ies of Origin:
United Kingdom…
Predominant Genre:
Comedy
Best Performances:
Alec GUINNESS
Burl IVES
Maureen O’HARA
Plot:
Man selling vacuum cleaners in Havana, accepts a job with the Intelligence Service. As he has nothing to report, he invents facts and pretends to recruit agents.
Themes:
Political Correctness
Similar To (in Plot, Theme or Style):
Unknown
Review Format:
DVD

Cold-War Fun

Sadly, less than the sum of its excellent parts in spite – or perhaps because of - being adapted by Graham Greene from his own novel.

Burl IVES is particularly good as a seedy, down at heel, supposed ex-Nazi; while Maureen O’HARA - as the film’s conscience - openly wonders whether her spying job really makes the world safer for democracy. Wouldn’t it all be so much better if our loyalties were to our humanity rather than to country?

Greene also scores in his depiction of Alec GUINNESS’s horse-mad, virginal daughter – a feast for Freudians - and in the fact that spies’ duplicity causes as much carnage as it prevents. A rather bleak spy-movie spoof, set in a non-007 world that Greene had intimate knowledge of.

One has to laugh or one would have to cry at the sheer folly of much of the Cold War’s ideological combat.


No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.