Saturday, 11 July 2015

Winter’s Tale
(2014)


Rating: 20%

Work-related image.
(https://popbabble.wordpress.com)
Also Known As:
New York Winter’s Tale
Version:
Language:
English…
Length:
114 minutes: Uncut
Review Format:
DVD
Year:
2014
Country:
United States…
Predominant Genre:
Romance
Director:
Akiva Goldsman…
Outstanding Performances:
None
Premiss:
Burglar falls in love with an heiress as she dies in his arms. When he learns he has the gift of reincarnation, he sets out to save her.
Themes:
Alienation | Curative | Emotional repression | Identity | Individualism | Narcissism | Personal | Personal change | Political | Redemption | Schizophrenia | Self-Esteem | Social class | Solipsism
White culture
Similar to:
Unknown

Kiddie Fantasy for Adults

Summary: Caucasian wishful-thinking attempting to obtain happiness by pretending it into existence.

Pusillanimous pile of pretentious codswallop; proving White culture possesses no real guiding or founding mythology to live by.

A completely–absurd waste of fine actors that successfully manages to actually be about nothing whatsoever.

Copyright © 2015 Frank TALKER.
Permission granted to reproduce & distribute this posting in any way, shape or form - provided you cite this Blog.
All other rights reserved.
Posted by Frank TALKER™ at 10:18
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)