Wednesday, 10 June 2015

Carry on Girls
(1973)


Rating: 80%

Work-related image.
(www.filmsclick.com)
Also Known As:
Unknown
Version:
Language:
English…
Length:
85 minutes
Review Format:
DVD
Year:
1973
Country:
United Kingdom…
Predominant Genre:
Comedy
Director:
Gerald THOMAS…
Outstanding Performances:
June WHITFIELD… Barbara WINDSOR…
Premiss:
Attempts to improve the image of a rundown seaside town by holding a beauty contest, provokes the formidable head of the local women’s liberation movement to plot sabotage.
Themes:
Advertising
Alienation
Corporate Power
Emotional repression
Erotophobia
Free Speech
Gynophobia
Identity
Individualism
Loneliness
Materialism
Narcissism
Personal
Political
Political Correctness
Sadomasochism
Schizophrenia
Self-Esteem
Sex
Sexual Repression
Solipsism
White culture
Similar to:
Carry On (franchise)

Caucasian Sex-Obsession

Summary: Saucy seaside saga with boob-laden beauty contest.

A load of old rubbish really, but you can’t help laughing - and the girls really are rather attractive. Barbara WINDSOR and June WHITFIELD are particularly brilliant in this one.

Copyright © 2015 Frank TALKER.
Permission granted to reproduce & distribute this posting in any way, shape or form - provided you mention this Blog.
All other rights reserved.
Posted by Frank TALKER™ at 10:08
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)