Monday, 27 April 2015

Inbetweeners Movie


Also Known As:
Unknown
Year:
2011
Country:
United Kingdom…
Predominant Genre:
Comedy
Director:
Ben Palmer…
Outstanding Performances:
None
Premiss:
Four White teenagers go on holiday together looking for sex.
Themes:
Alienation
Coming-of-age
Communism
Destiny
Emotional repression
Erotophobia
Family
Friendship
Gynophobia
Identity
Loneliness
Loyalty
Materialism
Narcissism
Personal
Political
Political Correctness
Pornography
Role modeling
Sadomasochism
Schizophrenia
Sex
Sexism
Sexual Repression
Social class
Solipsism
Stereotyping
White culture
White supremacy
Similar to:
Unknown
Review Format:
DVD

Caucasians Trapped in a Culture of Culturelessness

All the Girls I Fancy are out of My league

Summary: The Grass is Always Greener Somewhere Else.

Mediocre revelation as to the sheer weirdness, relentless orificiality & social incompetence of emotionally-repressed and erotophobic Whites.

The fear of women - and their bodies - is so overwhelming that one wonders just what White sexual role models might actually be. There is no reflection, here, as to why Whites are like this (dysfunctional, inbred families?). Nor is there any admission that other cultures are different - as if there are, in fact, no other cultures (to avoid unflattering comparisons with POC) despite the fact that the bulk of this movie is set abroad; that is, anywhere outside of the British Isles.

Another oddity is the fact that there is no true male-bonding going on here, other than the false kind of supporting the same soccer team or being deeply-afraid of foreigners (ie, the non-British) and the non-White. These lads do not support each other emotionally and actually spend a great deal of time trying to force one another to run away from their true feelings via one-upmanship and give-and-take; while simultaneously imagining they know what others are feeling via White stereotypes.

Yet, there is much humor here, about the true nature of the White British, but not so much that you would want to be (or be accepted by) one. Without the jokes, this movie would be quite unbearable since the central characters are so unbearably banal, uninteresting and directionless - as is the movie, itself. And the non-stop sex-obsession quickly becomes turgid since the writer does not use it to explore character but merely to label it. And why, oh why, do Whites think getting completely drunk is equivalent to having a good time? And the fact they feel the need to go abroad for sex speaks volumes for the sensual-repression they experience at home.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.