Flight 93

Rating: 80%


(http://www.imagesbee.com)

Also Known As:

Unknown

Year:

2006

Countries:

Predominant Genre:

Thriller

Director:

Outstanding Performances:

None

Premiss:

Real-time account of the events on a hijacked plane when passengers attempt to foil a terrorist plot.

Themes:

Alienation

Christianity

Corporate Power

Courage

Destiny

Emotional repression

Family

Materialism

Narcissism

Personal

Political

Political Correctness

Republicanism

Schizophrenia

Solipsism

Stereotyping

White culture

White guilt

White supremacy

Similar to:

Andreas Lubitz

United 93

Review Format:

DVD

None So Blind as They Who Will Not See

Interesting Companion-Piece to the White Response to Andreas Lubitz

Summary: How naïve Whites see the world.

Emotional and angry film revealing Whites as ignorant of the anger and the commitment of terrorists when faced with the White supremacy of US imperialism that causes the ongoing guerrilla war against that very imperialism - now known as the War on Terror.

Hard to feel sorry for people - despite the high melodrama on show here - whose governments put their lives in danger without fully-informing them of the simple fact that entire White populations are now on the front-line of a war for global ethnic dominance. Whites are shown as living in a world they do not - and do not wish to - understand: A willful ignorance and lack of understanding which is never meaningfully-explored nor even admitted-to.

The performances of the victims are fine, while the hijackers are not also shown as victims and without character development - and a basic explanation of their reasoning - this becomes a tragedy without real human meaning. Moreover, despite 9/11 being a profoundly-political event, this movie presents no political context with which to understand the events unfolding within it; preferring to do what White films rarely do - present Whites as victims to be pitied rather than genetically-superior übermenschen. Endless shots of the young children of hijacked Westerners improbably-since-coincidentally sitting on a multitude of laps smacks of the kind of special-pleading that does not allow Whites to feel similar emotions for the children of those Easterners they regularly bomb; implying a greater Western birthrate than in reality as well as reminding one of the sentimental excesses of Nazi propaganda.

The bigger picture is completely- and willfully-absent from this movie; rendering the deaths shown utterly meaningless and devoid of purpose: A typical result of Whites whitewashing their complicity in the inevitable blowback from their heavy-handed foreign policy adventures - as well evading their fear at how hated they now know they are as a result of these.

This acontextuality leaves the audience with a drama presenting the world outside of the various Whites cultures as scary, meaningless and lacking in civilization; apparently-justifying the White existential angst that drives this propagandist storyline forward; leaving us with the sense that Whites are not as civilized as they make themselves out to be.

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