Sunday, 15 January 2017

Hunky Dory
(2011)

Rating:
40%
Format:
DVD
Year:
2011
Predominant Genre:
Comedy
Plot:
White schoolchildren put on a musical at their school.
Themes:
Self-expression | Compassion | Totalitarianism
Similar Titles:
Unknown
Best Performances:
None

White film - ostensibly about self-expression - but really about psychological sublimation. This explains the passionless nature of the exclusively White music utilized on the soundtrack and by the characters.

White teenagers having to negotiate the politics of the move from White childhood to White (limited) adulthood – via adolescence - to the preferred state of emotional repression is never dramatically explored. Instead, points are scored about the White desire for “social alcoholism” (eg, social crutches like consuming alcohol to make others seem more likable) the resultant morbid dread of personal loneliness and the endemic hatred of soi-disant middle-class teachers for the lower-class charges. Nor is the fact that White psychological ontogeny is such a political minefield for Whites that emotional repression (eg, Political Correctness) becomes a simpler and inevitable alternative to objective reality.

If Whites are serious about self-expression - and the evidence of this movie is that they are not - then they have no choice but to finally abandon White music in favor of anything else.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.