Sunday, 1 January 2017

Graine et le Mulet
(2007)


Also known as:
Secret of the Grain; Couscous
Year:
2007
Country:
France…
Predominant Genre:
Drama
Director:
Abdellatif Kechiche…
Best Performances:
Everyone
Plot:
At the port of Sète, a tired 60-year-old drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by.
Themes:
Personal change | Self-expression | Compassion | Totalitarianism | Political Correctness | White supremacy
Similar To (in Plot, Theme or Style):
Unknown
Review Format:
DVD

Caucasian Fear of Assimilation & Integration

If overlong, this superb movie is about an assimilated culture struggling in a hostile environment against all the odds.

Food serves as a means of communicating that culture down the generations as if the very preparation, the food itself and its consumption transmitted civilization. (The cuisine is also an excellent specific for homesickness.)

The ciné vérité style elicits naturalistic performances from all the performers and slowly draws you into their sometimes-fractious world. For these migrants, the restaurant business is not only a means of livelihood but also a way of keeping the links with their own culture very much open. This avoids the rootlessness of those tempted to fully embrace the indigenous culture.

The themes of family, love and work provide enough nourishment for everyone with at least one of those things.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.