Sunday 16 December 2012

Lourdes
(2009)

RATING:100%
FORMAT:Cinema



Sly look at the idea of religious miracles through the lens of the grotto at Lourdes. The deadpan style of the humor and the humanistic manner of showing people proves the director actually likes them and does not view them as fools or gulls. People are shown as they are - warts and all - and the meaning and significance of any healings that do occur are left to the viewer. Despite the airing of agnostic skepticism from the actors, this movie's unobtrusive style reveals a warmth and a spirituality that most films explicitly about religious belief can only dream of attaining.

Sylvie TESTUD is a revelation as the young girl with multiple sclerosis and fully commands our attention throughout as she must bear the pain of never knowing if her cure is permanent or not - much like the able-bodied must with regard to their able-bodiedness. The only difference being that the latter are in the worse position of taking their freedom for granted and, therefore, never truly savoring nor fully enjoying it. A slow starter but an eventual profound joy.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.