Sunday, 30 December 2012

It’s All Gone Pete Tong
(2004)

RATING:60%
FORMAT:DVD



Narcissistic, depressing and self-indulgent White movie about narcissistic, depressing and self-indulgent White people for narcissistic, depressing and self-indulgent White people.

Whites are unwilling to satirise their own culture in any profound way, for fear of being cut adrift from it and not being accepted by others, so offer only gruel in place of explanation as to why White culture is as empty as it is.

The movie should have spent more time with the problem and its acceptance and far less time with the problem. Something of a wasted dramatic opportunity - despite the very good cast - since the change from child to man is weakly dramatized in a movie with a great idea but mediocre execution. Nowhere near as good as David Essex’s Stardust.

This movie is not terribly funny nor very moving because there is no real insight into the people depicted - not even into deafness - so there is nothing for an audience to become emotionally-involved with. And like a joke with a predictable punchline, one longs for it to end.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.