Tuesday, 28 February 2012

(500) Days of Summer
(2009)

RATING:60%
FORMAT:DVD

Collation of the minutiae of being in sexual love that does not add up to the self-revelatory experience that it really is. The decided lack of a definition of the state-of-mind that this film claims to explore is its downfall; lacking originality in its expression and content, while failing to enlighten.

Twenty-somethings still having teenage infatuations that leads nowhere, the film confuses shared interests with shared values. As usual with those who theorize about an experience before (or instead of) having it, when it does not agree with their hypothesis, they reject the lived experience and pretend there was something wrong with it - but nothing wrong with their theory. To take love for granted - as this film does - is just as bad as taking the one you love for granted.

Gimmicky and uneven, the only real reason to watch this film is the welcome presence of Zooey DESCHANEL - a completely natural and instinctive actress.

Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.
Posted by Frank TALKER™ at 11:21
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)