Friday, 24 February 2012

20 Million Miles to Earth
(1957)

RATING:60%
FORMAT:DVD



ARRIVIDERCI ROMA

Above-average creature feature boasting superior animation from Ray Harryhausen and, like King Kong before it, focusing on the xenophobic inadequacy of White culture when confronted with the unknown. The so-called monster here is sympathetically presented - so much so that its performance is more Oscar-worthy than the living actors. Its violent reaction to mankind is shown as an inevitable result of attempts to cage it.

The screenplay veers from a childlike simplicity - coming from a lack of basic scientific knowledge - to a sly romance between an Air Force colonel and the inevitably-beautiful daughter of the head of zoology at Rome Zoo. And it does make a nice change not to see familiar US landmarks being reduced to rubble - and Rome is so much more attractive in its Old World, European charm.

There is an elegant analogy here between the poor communications and resulting distrust between the various cultures of Earth, its nations and their conflicting political ideologies. Needless to say, the inability of all sides to communicate in a civilised fashion leads to death, mayhem and the impressively-mounted terrorization of Rome.



Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.