Monday, 5 August 2013

One False Move
(1991)

RATING:80%
FORMAT:DVD



Subtle character-study of a crime drama that slowly insinuates itself into your emotions to devastating dramatic effect.

Underneath all the police procedural there are sophisticated analyses of White supremacy and ethnic-minority realism and of both of these as sources of a cultural identity thought to be needed for survival by the former while actually needed only by the latter.

Because no White can prove they actually are white, White supremacism has to do the job the biological sciences cannot. This unstable source of White pride requires a repression of the emotions such that activities like miscegenation are frowned upon in case such pride is seen as being nothing more than the product of cultural, political and personal insecurity. The invented phenotypal difference created by Whites leads to the kinds of inter- and intra-personal tensions explored by this movie.

Everyone, without exception, acquits themselves very well here in their performances; contributing to the slow-burn Southern Gothic atmosphere.


Copyright © 2011 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.