Saturday, 31 August 2013

Blues Brothers

(1980)

RATING:100%
FORMAT:DVD

Natural Sense of Rhythm

Less than the sum of its many fabulous, musical comedy parts, this is a strange product of White Hollywood. Showing Whites as both White supremacist and lacking in spontaneity & rhythm.

Here, Whites express themselves here through violence (Nazism); Blacks through music (the Blues). This latter fact explains the clear reverence for the famous Black musicians on show; concluding that Whites can only play ersatz Blues – not the real thing. (Perhaps this accounts for the expensive commercial failure of this movie & its massive cult status?)

The theme of racial harmony through music never really gets off the ground because of poor characterization and arbitrary plotting, but the high production values carry the day.

This movie contains marvelous music, a car parc worth of smashed automobiles and a psychotic “woman scorned”. What more could you possibly want?

Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.co.uk) is included: E-mail notification requested. All other rights reserved.
Posted by Frank TALKER™ at 19:40
Labels: , ,

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)