Wednesday, 9 September 2009

Ghosts of the Abyss

(2003)

40%



There are too many superlatives uttered by those appearing here to adequately compensate for the simple fact that a sea grave, in itself, is not that interesting a subject for documentary. That this is the Titanic makes little difference since the story is very well known and has been thoroughly trawled for angles before.

To completely save this film from being one about nothing more than a famous ship corroding three kilometers down at the bottom of the Atlantic, CGI superimposes actors as ghosts on the exterior and interior shots of this elegant vessel. This is fun but does not really make up for the fact that the well worn cliches about the titanic are still being replayed: Man's hubris, social snobbery, alleged Edwardian elegance.

If only the filmmakers had had – moreover - the courage to let the images speak for themselves without the relentless barrage of "oh, wows" and "my Gods" this would have actually been an informative piece. The scientists masquerade as big children with expensive scientific toys; conveying little useful factual data save their narcissistic desire for foregrounding their rather trite emotions. Yet the images of the Titanic's interior are spooky enough to convey a sense of a technological marvel laid waste and the sense that, at any moment, a rotted corpse is going to float past the camera. That this never (& could never) happen does not detract in the least from the suspense conjured up by the very thought that it might.

That a film director of James Cameron's stature should associate himself with this dreck is difficult to fathom since he knows pictures speak louder than words. Yet here the old truism is reversed; revealing what a pointless documentary this really is.



Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.