Sunday, 30 August 2009

Stagecoach
(1939)


RATING:80%
FORMAT:DVD

Superior western by anybody's standards despite a deus ex machina ending that eventually became too much of a cliché for its own dramatic good. This one shot John WAYNE to stardom and made westerns respectable for serious dramatic storytelling. The ensemble performances are all excellent especially a framed for murder WAYNE; an aloof gambler (John CARRADINE); a pompous, embezzling banker (Berton CHURCHILL); an alcoholic physician (Thomas MITCHELL); &, a prostitute (Claire TREVOR).

Stagecoach is superbly made in every respect, layering humor and sharp characterization into an exciting plot that includes a spectacularly photographed chase in Monument Valley. Nearly a perfect movie and certainly the first great modern Western. Instead of good-guy / bad-guy conflict, Stagecoach emphasizes characterization, social commentary and moral drama.

This is a true classic because most of the characters are archetypes – not stereotypes – so that we get involved in the lives of these very real people. The greatest enjoyment in watching Stagecoach is in observing how director John FORD builds and populates his moral universe, in seeing complex personalities sketched in simple words and gestures; his great theme: Self respect.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.