Wednesday 26 August 2009

Gomorrah
[Gomorra]
(2008)

RATING:60%
FORMAT:DVD

Naturalistic and unglamorous portrayal of the Naples' Camorra where violence can suddenly erupt at any moment and for well understood reasons. The docudrama desire here is to show a world unlike that shown in a typical Hollywood movie by eliminating any suspense. This also has the unfortunate effect of removing any real narrative drive and of not answering fundamental questions such as the Why, rather than what is shown here: The How and the What.

Crucially, moreover, the cinéma vérité style has an emotionally distancing effect that allows for little empathy for the characters and their political and cultural predicament. The five plot strands exacerbate this and do not integrate well – they seem merely designed to make the film longer and wider without making it deeper.

Having said all that, the performances are as committed as they need to be for this breed of tough drama. The kind of drama that blows the lid on the fallacy of With Us or Against Us – a belief that, in the long run, can only serve to get people killed.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.