Thursday, 2 July 2009

Wind Will Carry Us
(2000)

80%

A beautiful and fascinating look at some basic metaphysical and existential issues such as life and death and the relationship between cultural tradition and social change.

The ostensible plot involves a mystery as to why an engineer visits a small village claiming to work in telecoms when it soon becomes apparent that he is waiting for a village elder to die. Eventually he becomes partly integrated into this rural culture by virtue of being forced to stay there for longer than he had originally anticipated.

This is a subtly funny and deceptively simple yet profoundly rewarding film about people in tune with nature rather than in conflict with it. This is humorously expressed by jokes about a woman's three daily jobs: Work all day; serve in the evening; and then, more work at night. And by the oftentimes non utility of modern technology when, every time the central character receives a mobile phone call, he must drive out of the Black Valley - in which the village is situated - to get good hilltop reception. This running joke is, perhaps, a little overused and the film's overall length too long, but it makes its point well.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.