Friday 20 March 2009

Strada
[The Road]
(1954)

RATING:100%
FORMAT:DVD



Giulietta MASINA, the greatest tragi-comic actress of them all, stars in this superlative tragi-comedy. Part Harpo Marx, part Stan Laurel & part Charlie Chaplin, she brilliantly essays the role of an unworldly naïf as a mixture of child woman and pixie. Her emotionally-expressive, clown like acting serves the drama well as she appears alternately pathetic and profoundly spiritual in a film that is as much about performing in our everyday lives as it is about those who make a living from being performers.

Richard BASEHART and Anthony QUINN are also excellent as men who either recognize the faults in others because they do so in themselves or as those who refuse to see faults in others to avoid seeing their own.

This humanist masterpiece has few equals, especially with the sheer simplicity of its plotline; offering few distractions from the movie’s central premise that includes sexual jealousy, Christian spirituality & alcoholism.

The central couple are crucially-dependent upon one another, yet the male half refuses to recognize this and so is physically abusive; the female half accepts it as part of her lot in life - with tragic results.

In this tale of the growing pains of a young woman, we are finally confronted with the impossibility of ever evading the human conscience, since it is in everything we do, no matter how tough we think you are.

Nino Rota’s score – as usual – perfectly complements and underpins the emotions depicted by the actors.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.