Wednesday, 11 March 2009

Equus
(1977)

80%

An overly protective mother, here, means not enough contact for her children with external reality to make that reality real for them; hence, the violent behaviour of the son. This film is all about worship; of pornography, of horses and of Jesus, and of how any idolatry can make us shut out the truth as a substitute for happiness. The iconoclastic cure helps the son take control of his own life rather than to effectively blame the thing worshipped. The Western culture depicted here seeks to avoid pain, which can only be achieved by separating thought from emotion; making emotions causeless and thoughts unwanted.

A stagey adaptation of a stage play about the baleful, sexually repressive influence of Christianity among Western Whites. Such attitudes, learned young, can stay with you your entire life despite the fact that they can never be a fundamental part of yourself since they originated in the minds of others. The disturbing material is thought provoking as it details difficult emotional journeys both for the clients and those acting as emotional travel agents – the psychiatrists.

An uneven film of some brilliance featuring excellent performances from Richard Burton and Peter Firth – the supporting cast is also superb.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.