Monday, 16 June 2014

Last Days

Also known as:
Unknown
Rating:
60%
Format:
DVD
Year:
2005
Predominant Genre:
Drama
Plot:
Depressed pop-musician story.
Themes:
Self-expression
Similar Titles:
Unknown
Best Performances:
Unknown

Well-cast film offering no explanation as to what we see. It is taken for granted that White rock musicians tend towards excess and depression and often die of drug overdoses in a way Black musicians rarely do. Yet, no insight into either culture is offered, save the tritest of rock‘n’roll clichés.

Selflessness is depicted accurately as the characters – despite their material success – go nowhere psychologically. This leads to the strange conclusion that suicide is a positive, spiritual choice for some.

Without a context within which to place the characters, this is an empty drama since the audience is given no room for empathy. We can easily sympathize with someone physically disabled because their options are naturally limited; while the self-destructive possess no excuse of this kind that can justify their behavior.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.