Tuesday, 24 June 2014

Valseuses

Also known as:
Going Places; Getting It Up; Making It
Year:
1974
Predominant Genre:
Comedy
Best Performances:
Isabelle HUPPERT… Jeanne MOREAU… MIOU-MIOU… Patrick DEWAERE… Gérard DEPARDIEU… Brigitte FOSSEY…
Plot:
Three Whites in search of a seemingly unattainable sexual pleasure.
Themes:
Compassion | Personal change | Political Correctness | Self-expression
Similar To (in Plot, Theme & Style):
Unknown ()…
Review Format:
Cinema

Early, immature work from director Bertrand Blier about the anarchy of carnal desire and coming-to-terms with it regardless of the invidiousness of other people.

The film satirizes Freud’s claim that civilization is only possible if people volitionally repress themselves for the alleged common good, since such a Western attitude leads to such things as drunkenness, sexual promiscuity and the middle class.

For all its erotic preoccupation, the movie presents little more than the sheer physicality of sex for the young; being content merely to imply the emotional fulfilment and genuine social order that this could presage with the advent of healthily-expressed sexuality.

Although its picaresque nature eventually palls-through-repetition, the movie is oddly-good at suggesting the smells inherent in human sensuality – a real achievement in a medium with only two senses: Sight & sound.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.