Wednesday, 31 July 2013

Criminal
(2004)

RATING:60%
FORMAT:Cinema



A story of everyday criminality and the volitional reasons for its existence.

The ducking-‘n’-diving central character is a model of the avoidance of honest toil at the financial expense of others.

A movie about trust that shows there’s no honour among thieves (because of the non-existence of enforceable contracts) and precious little among the so-called honest citizens.

The problem here is with the plot-heaviness which squeezes out any genuine chracterization; albeit that the actors do the best they can with this fundamental weakness.

The con man here becomes increasingly desperate as obstacles pile-up between himself and a US$750,000 finder’s fee for a rare (fake) banknote; leading to unpleasant filial revelations. So much so that you begin to lose sight of just who’s conning whom.

The acting is first-class and the plot surprising - they both need to be because the twist ending is, in many ways, obvious and these two qualities are cleverly used to misdirect you until the final moment of truth.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



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I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


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