Wednesday, 24 September 2014

Barry Lyndon


Also Known As:
Unknown ()…
Year:
1975
Countries:
United Kingdom… United States…
Predominant Genre:
Drama
Director:
Stanley Kubrick…
Outstanding Performances:
None…
Premiss:
Rogue wins the heart of a rich widow and assumes her dead husband’s aristocratic position.
Themes:
Alienation | Destiny | Emotional repression | Friendship | Loneliness | Political Correctness | Self-expression | Social class | White culture
Similar (in Plot, Theme or Style) to:
Unknown ()…
Review Format:
Cinema

Excellent movie about an opportunist and adventurer who renounces love to marry for money.

Beautiful to look at, superbly acted and well scored, this film palls towards the end because it cannot find anything to match the brilliance of its first half. Like the central character, it eventually dissipates the wealth of the imagination behind the camera that made it.

The style is as stately as the music and becomes a character in its own right as it tells the picaresque story of a lowborn rogue who desires to become a gentleman – and succeeds.

Throughout there is ample ironic humor, as only Stanley Kubrick can mount it, with sly, satiric nods towards the essentially materialistic nature of the modern, Western world.

This is a movie to savor because of its flair and audacity. Still cutting edge cinema – even by today’s standards.


Friday, 19 September 2014

Mary Shelley’s Frankenstein


Also Known As:
Unknown ()…
Year:
1994
Countries:
Japan… United States…
Predominant Genre:
Horror
Director:
Kenneth BRANAGH…
Outstanding Performances:
None…
Premiss:
Caucasians fantasize that they can both become god and, thereby, evade the travails of everyday life by simple wishful-thinking.
Themes:
Alienation | Christianity | Compassion | Destiny | Emotional repression | Loneliness | Personal change | Self-expression | Social class | White culture | White supremacy
Similar (in Plot, Theme or Style) to:
Frankenstein (1931)…
Review Format:
DVD

Sic Transit Gloria Mundi

Suitably-melodramatic telling of the ramblings of teenaged author (Mary Shelley) that refuses to explore the issues it raises.

Despite much talk of moral consequences, these remain dramatically unexplored; leaving the audience with little more than entertaining superficiality and absurdly-overstated production design.

The real nonsense here is the White fantasy that they are able to become gods through their technical and scientific obsessions. Despite the fact that science and religion are often in conflict, White science is merely another means of trying to play god.

Given the oblique references to modern scientific achievements, one would have expected Whites to have been more honest about the limitations of the technology simultaneously being exalted and condemned here. The dearth of empathy Whites have for each other is reflected in a White culture that provides little emotional satisfaction for its adherents because of its belief that the soul has yet to be proven, empirically. This is shown here by characterization that never goes below the surface to have a good rummage in the many dark corners of the White psyche.

As the characters here run from emotional experience by so fearing loss that they crave immortality, so this film attempts to reanimate the dead tissue of a hoary old story whose narcissism is resolutely hidden. A fairly amusing and solipsistic waste of talented performers.


Thursday, 18 September 2014

Assassin
(1993)


Also Known As:
Point of No Return (1993)…
Country:
United States…
Predominant Genre:
Action
Director:
John Badham…
Outstanding Performances:
None…
Premiss:
A hardened female criminal’s consistent violence, even in police custody, ends in a staged death so that she can be trained as a phantom killer and subdued into obedience.
Themes:
Alienation | Compassion | Destiny | Emotional repression | Loneliness | Personal change | Self-expression | White culture | White supremacy
Similar (in Plot, Theme or Style) to:
Femme Nikita (1990)…
Review Format:
DVD

White Misogyny

Summary: Caucasian lust for violence.

Banal look at the fact Whites act their lives rather than living them and that it is very difficult to escape from the moral trap so created.

The absurd and consequenceless violence that pervades most of this movie remake of the much better La Femme Nikita is nothing more than a White attempt to appear to be agents in full command of their own lives; while the drama suggests their being locked into a political machine where savagery is the only currency.

This movie just does not understand its own source material (about the ways White males stereotype & objectify White females) and offers nothing else in its place to make it watchable.


Wednesday, 17 September 2014

Otac na Sluzbenom Putu


Also Known As:
When Father was Away on Business…
Year:
1985
Country:
Yugoslavia…
Predominant Genre:
Drama
Director:
Emir Kusturica…
Outstanding Performances:
None…
Premiss:
A careless remark about the newspaper cartoon is enough for Mesha to join many arrested unfortunates. His family is now forced to cope with the situation and wait for his release from prison.
Themes:
Alienation | Compassion | Destiny | Dialectical materialism | Emotional repression | Political Correctness | Self-expression | Totalitarianism
Similar (in Plot, Theme or Style) to:
Unknown ()…
Review Format:
DVD

[When Father was Away on Business]

A critique of the former Communistic ways of the former Yugoslavia from the point of view of a child. This boy sees all in the adults’ behaviour and does not always understand what he sees. Yet, its effect on him is profound, as he becomes a somnambulist in search of escape from Dialectical materialism.

For having published a satirical cartoon of Karl Marx as a Stalinist, the eponymous father is jailed in a work camp for two years. Yet, this is never clearly stated on any indictment as if to say it aloud would be to reveal that Stalin was not a true Marxist but the demagogue he actually was.

The issues explored are the effects on his family of this father’s absence and the fact that his relatives are accomplices to his incarceration. Such a paranoid polity makes genuine human relationships impossible and none work here too well.


Tuesday, 16 September 2014

Harumi NEMOTO
(2007)


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.