Thursday, 18 September 2014

Assassin
(1993)


Also Known As:
Point of No Return (1993)…
Country:
United States…
Predominant Genre:
Action
Director:
John Badham…
Outstanding Performances:
None…
Premiss:
A hardened female criminal’s consistent violence, even in police custody, ends in a staged death so that she can be trained as a phantom killer and subdued into obedience.
Themes:
Alienation | Compassion | Destiny | Emotional repression | Loneliness | Personal change | Self-expression | White culture | White supremacy
Similar (in Plot, Theme or Style) to:
Femme Nikita (1990)…
Review Format:
DVD

White Misogyny

Summary: Caucasian lust for violence.

Banal look at the fact Whites act their lives rather than living them and that it is very difficult to escape from the moral trap so created.

The absurd and consequenceless violence that pervades most of this movie remake of the much better La Femme Nikita is nothing more than a White attempt to appear to be agents in full command of their own lives; while the drama suggests their being locked into a political machine where savagery is the only currency.

This movie just does not understand its own source material (about the ways White males stereotype & objectify White females) and offers nothing else in its place to make it watchable.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.