Monday, 5 May 2014

Thunderbolt and Lightfoot

(1974)

RATING:80%
FORMAT:Cinema

Male Bonding

Amusing bank-heist movie with the morbidity of White sexuality as an underlying theme and recurring leitmotif that stands comparison with Charley Varrick.

Male bonding is seen here as only possible through an intense focus on the feminine and the use of women for sexual purposes. Much of the dialogue scrutinizes the character’s attitudes to sex and their implicitly-homosexual inability to move beyond heterosex as an end in itself towards it being a fulfilling means to an end. Much talk and little action suggesting why these men prefer each other’s company as opposed to that of wives, families and children.

For all that, the characters are likable since much of the movie is played for laughs and the essential childishness and irresponsibility of crime and criminals becomes kind of endearing. There is also a theme of the old annoyed at the young just for being young and for being cocky about it; serving to create dramatic friction between gang members. This all helps mitigate the slow pace and not-always-logical plotting.

The acting is first-rate, especially Jeff BRIDGES and George KENNEDY - the two most sex-obsessed characters - who are also given the funniest lines. Sadly, not nearly enough screen time is devoted to sexy Catherine BACH as a casual pickup nor to Claudia LENNEAR.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

Sunday, 4 May 2014

Paperboy

(2012)

RATING:80%
FORMAT:DVD

Papertiger

Melodramatic, southern gothic (comparable to Tennessee Williams) look at the morbidity and self-indulgence of White culture fuelled, as it is, by sexual and emotional repression.

Points are made about White inbreeding caused by the White need of White supremacy and the genetic malformations so caused. In addition to the inherent instability of the White nuclear and extended families. As well as the usual masochistic and guilt-ridden sexual fetishizing of openly-feared Black people.

The film is designed to look like the still photography of the sixties - a more resonant idea than simply using the music of the period. The characterization and acting is excellent and vivid; while the direction and screenwriting is very much to the point. Where it fails is in being more of a description of White culture than a necessary explanation that could contribute more to an understanding of that cultures failings.


Saturday, 3 May 2014

Mighty Wind

(2003)

RATING:80%
FORMAT:DVD



Because White popular music is so fundamentally awful and willfully anachronistic (witness White claims that Rock and Roll is not dead when it clearly is), it is easy to parody it - as here. Because Whites (unlike Jews, Hindus, Muslims, etc) have lost the connection between the music they create and any recognizable culture; eg, Punk, Heavy Metal, Country & Western, etc, their music wanes in popularity as soon as it waxes according to fashion rather than meaning; revealing a superficial culture with no essence to express nor social meaning to convey.

The underlying sadness here is that Whites themselves have given-up on their own music and now fixate on anything created by Blacks. Without an agricultural background, the music here has no meaning to a modern, urban audience. Better to let it die, with parodies like this as their eulogy.

The characterization of this mockumentary is deft, particularly Jane LYNCH and her character’s former porn career, Parker POSEY’s homeless waif reborn, Bob BALABAN’s neurotic Jewish promoter and Ed BEGLEY, Jr’s tv producer mired in the world of US Public Television.

This White Folk Music version of This is Spinal Tap contains far too many laughs to count accurately despite the fact that it offers no real explanation as to White music is so terrible.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

Friday, 2 May 2014

Holy Motors
(2012)


RATING:80%
FORMAT:DVD

It’s All an Act

Superb telling of the acting inherent in Whiteness (specifically, White supremacy) that it leads Whites to revel in their performances of being better than others with each other, rather than relate to each other as empathic human beings and accept that they are no better nor worse than anyone else.

Thursday, 1 May 2014

Jaws

(1975)

RATING:80%
FORMAT:Cinema

A Bigger Boat

Despite being bereft of any worthwhile thematic content, this is still a cracking adventure story of men against the inexorable forces of nature.

The lack of dramatic depth is compensated for by sterling acting, very good writing and dramatic scenes that make this a character-driven story - which just happens to have a strong plot.

The characters make psychological sense and are clear and distinct from one another in a compelling update on An Enemy of the People and Moby-Dick - albeit without the depth of its forbears.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.