Thursday, 8 August 2013

Bank Job

(2008)

RATING:80%
FORMAT:DVD

Intriguing look at how White Western governments really work to protect their shameful sex and race secrets from the light of day - and of how Whites, themselves, imagine that they do. The political aspect most focused on here is that behind the façade of White English emotional repression and politesse lies sexual perversion and erotic self-indulgence.

The breathless style and pace of this movie is designed to compensate for the politically-rich but emotionally-meagre script - but it is still all good fun for that - as well as for the contempt of the UK Royal family as an institution.

Even so, the handbags at dawn combat between Saffron BURROWS and Georgia TAYLOR over the hero is well-acted and believable, as is the emotional retardation of those who seek shelter from their fear of change via theft, intimidation & murder.

Monday, 5 August 2013

One False Move
(1991)

RATING:80%
FORMAT:DVD



Subtle character-study of a crime drama that slowly insinuates itself into your emotions to devastating dramatic effect.

Underneath all the police procedural there are sophisticated analyses of White supremacy and ethnic-minority realism and of both of these as sources of a cultural identity thought to be needed for survival by the former while actually needed only by the latter.

Because no White can prove they actually are white, White supremacism has to do the job the biological sciences cannot. This unstable source of White pride requires a repression of the emotions such that activities like miscegenation are frowned upon in case such pride is seen as being nothing more than the product of cultural, political and personal insecurity. The invented phenotypal difference created by Whites leads to the kinds of inter- and intra-personal tensions explored by this movie.

Everyone, without exception, acquits themselves very well here in their performances; contributing to the slow-burn Southern Gothic atmosphere.


Copyright © 2011 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

Sunday, 4 August 2013

Divine Secrets of the Ya-Ya Sisterhood
(2002)

RATING:40%
FORMAT:DVD



Well-off Whites whining about how unhappy they are is never edifying. And it is a pity that Caucasians never examine in detail why they should choose to be as cultureless as they are represented here - that would make for far better drama than this weak excuse for a movie.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

Saturday, 3 August 2013

Lincoln

(2012)

RATING:60%
FORMAT:DVD



The usual White supremacist claptrap about how Freedom is something for Whites to give Blacks – even though Racial Slavery was never legal - as if it were, therefore, something Whites could ever deny them. This White arrogance is designed to make it look like Whites are better than Blacks (although this alleged superiority is only ever based on Whites’ self obsessive, military backed, political power – the only means of enforcing Slavery, in the first place.)

Here, Whites still need to establish themselves as something special – above and beyond those non Whites they look down their noses at – even though history tells a somewhat different story of 500 years of ongoing White imperial bestiality: Rape, Murder & Theft.

What we have here is two groups of White supremacists – Democrat & Republican – deciding what is politically best for the USA, without reference to ethics. How to avoid the high costs of Slavery while keeping Blacks in an inferior social position. All without any reference to the fact that individual States could secede if they wished to but Lincoln, the tyrant who wanted to keep Southern States in bondage to the North, dictatorially decided to wage war against those who wanted to leave the Union of their own free will; one form of slavery supplanting another. Nor any discussion of the inherent flaw in first-past-the-post democracy in that Whites will pass laws to ensure they are in the majority (eg, denying suffrage to non Whites, restrictive immigration, anti miscegenation laws, etc), to make it easier for them to oppress minorities; eg, Ethics & Politics can never mix.

Here the movie does well at showing how greedy Whites are at abolishing Slavery for their own economic benefit since, apart from anything else, States divided will not be good trading partners.

The idea that Whites would kill each other to free Blacks is ludicrous – the film contradicts its own premise by showing how White supremacist White culture is. But Whites would kill each other over the economic downside of Slavery; eg, White unemployment caused by Blacks not being able to demand wages or industrialization making slaves an unnecessary hindrance to technological progress.

The movie fails to show that Lincoln was the classic Machiavellian politician by presenting him a Christ like teller of parables. There is no reference to Lincoln’s White supremacy in order to muddy the waters about the great difference between Racial Slavery and White supremacy by pretending that abolishing the former is identical with abolishing the latter. There is no reflection on the fact that Whites face a constant internal conflict between saying Slavery is bad; while being just as determined to preserve the benefits of same.

Here are Whites struggling to come to terms with the endemic hypocrisy of White culture and, largely, failing. This explains why there is no mention of the fact that Civil Rights for Blacks did not arrive in the US until 1968; while admitting Whites will never share the stolen wealth of the US with non Whites.

This movie is proof, if ever it were needed, that it was far easier for Whites to abolish Racial Slavery than it will ever be for them to abolish White supremacy. This inability explains why Whites love nostalgic trips down Memory Lane, like this one, to ease their present day guilt and shame at the failure of White culture to produce true civilization: A typically-cowardly renegotiation with a guilt ridden past.

It is inevitably hard for Whites to be honest about their own brutish history, but at least this politically unsophisticated attempt to propagandize for Whites (when the reality of Whiteness is the opposite of what is ahistorically shown here) is a little easier to sit through than the execrable for the same reasons Amistad.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

Thursday, 1 August 2013

Testament du Docteur Cordelier

(1959)

RATING:60%
FORMAT:DVD

[Experiment in Evil;
Doctor’s Horrible Experiment;
Testament of Dr Cordelier]

Jean-Louis BARRAULT is brilliant here while everyone else is either over- or underacting. A crudely-made tv-movie with the same fascinating premise as Shelley’s Frankenstein and Stevenson’s Jekyll & Hyde. Its comic treatment of a child molester brings a whole new dimension to the tired story-line in his being shown as a clown in outsize clothes.

Ultimately, an updated (if rather meandering) attack on science as a panacea to very human, millennial problems (the search for a drug that can cure evil) and the idea that science can replace religion - both without the inevitable political consequences. The scientist here forgets that drugs cannot permanently control free will; while the film propounds what we secretly believe: Civilization is a control-freaks’ veneer covering unresolved emotional hang-ups.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.