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- Quest
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- needed to precede following dl
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- 76 minutes (Uncut)
- Review Format:
- DVD
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- 2003
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- Predominant Genre:
- Non-Fiction
- Director:
Director Mike Fleiss - :
Uncredited Director Jason A Carbone - :
- None
- Premiss:
- Men trying to get women they do not know to have sexual intercourse with them.
- Themes:
- Aggression | Alienation | Capitalism | Christianity | Communism | Cowardice | Curative | Destiny | Emotional repression | Erotophobia | Grieving | Gynophobia | Loneliness | Materialism | Narcissism | Original Sin | Parasitism | Passivity | Personal | Political | Political Correctness | Positive Discrimination | Propaganda | Religious fundamentalism | Republicanism | Sadomasochism | Schizophrenia | Sexism | Society | Snobbery | Solipsism | The State | Stereotyping | Totalitarianism | The West | Western culture | White culture | White people | White supremacy
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- Unknown
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- Unknown
Summary: White males try to get White women they do not like to have sex with them – in a foreign country.
T he usual Caucasian nonsense about the difficulties White men experience obtaining sex from women of their own ethnicity.
Rather than look outside their own culture for the sex they claim to want – with women who are not sexually‑repressed – White males masochistically chase the very women who are the least likely to give it to them. This suggests White men are secret homosexuals who actually prefer each other’s company to that of women’s, in pretending to want sex with White women they do not really like – as if public displays of forced heterosexuality can conceal private homosexuality.
Whites are forced – by unwritten White supremacist cultural rules – to associate only with each other, despite the high personal costs of not freely choosing one’s own friends and one’s own sexual partners. Whites behave badly in public because they resent their culture’s inevitable intrusion into their private lives by its continually-enjoining them to act as though the Personal is Political; the Private, Public. (As one cannot choose one’s biological family [in any culture], in White culture, one also cannot choose one’s friends and lovers – without the fear of social-exclusion.) This leaves White men in a permanent state of existential despair which they accept as their lot-in-life because of the conditioned dread of stepping outside of their cultural limitations – and such an act’s potential for their social ostracism.
The lonely White males here have little to offer the White women they want; hence, the females shown treat the men’s sexual needs as a narcissistic social game where they will always be favored by a captive audience of White men who are socially-programmed to only pursue White women. (Even the ugliest White woman knows that in her culture she is preferable to a woman of any other ethnic group, no matter how attractive, simply by virtue of being White.) These men come across as needy – rather than as people with something to offer in exchange for the sex they crave – since they lack the personal qualities women need before they will ever trust a man:
- Empathy;
- self-confidence; &,
- the ability to provide emotional security.
When the unearned sex they crave is not forthcoming, these White males resort to the typical White solace of excessive alcohol-intake and its inevitable corollary: Public vomiting. This demonstrates the emotional repression endemic in White culture and the White need for chemical disinhibitors to temporarily-disable their inbred fear of each other – and everyone else. (The White, Christianized view that sex is somehow disgusting shit
is also clearly-stated – despite this shit
being the very activity so hotly-desired.)
As a documentary about the sexual inadequacies of White males, particularly their self-destructive terror of the intimacy they seek, this blinkered work is merely OK. But in not exploring this issue, the film implicitly pretends that this is how all men are, everywhere, despite the absence of any presented data to support such an implication. This emotionally-dishonest worldview is clearly-shown by the fact that the film is set in Mexico, yet we see nothing of Mexican culture.
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