Saturday, 10 October 2015

Little Chaos


The best Caucasian cinema can produce

Summary: Whites, struggling against the psychological limitations of their culture, waste money building a pointless palace.
Work-related image.
(www.indiewire.com)

Although well-acted by all concerned, and being more than a little amusing, this suffers from the usual problems of Caucasian cinema. Namely, no explanation as to why Whites would create the culture depicted, wherein no-one is allowed to be happy nor to seek happiness - in the company of those they choose for themselves.

Whites rely, instead, on the approval and acceptance of others to achieve any kind of valorization - no matter how shallow; perfectly-complemented by the shallowness of the characterization made available to the performers by the screenplay.

Work-related image.
(www.standard.co.uk)

This is the masochism of a White supremacy in which the price of being a guilt-ridden beneficiary of such racism is an obsession with material well-being and its concomitant: Emotional suicide.

Ultimately, this movie is a celebration of materialism and the showy emptiness of Western architecture with its focus on politically-domineering looks rather than ethical & value-laden purpose.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.