Friday, 11 May 2012

Lady in the Water
(2006)

RATING:60%
FORMAT:DVD



Pleasing horror with a strong vein of absurd humor that manages to intrigue without the usual recourse to gore and melodrama. This does not quite achieve its goals of making big statements about human nature and the fact that Western culture lacks a strong ethical dimension. Instead, it is content to make barbed and self-critical comments about the nature of dramaturgical cliché while using variations on those selfsame clichés.

The true glory of this film lies in its willingness to openly confront the storytelling process itself and the archetypal myths that good stories create.

Brilliantly and stylishly directed by only showing the audience the bare information it needs to follow the drama, this manages to let its audience use its imagination when necessary. There is no excess of superfluous camera movement to distract from the acting since director M Night SHYAMALAN possesses the requisite confidence in us for him to do this and to allow us to be carried away with his character-driven conceits.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.