Friday, 7 October 2011

Mépris
[Contempt]
(1963)

RATING:60%
FORMAT:Cinema

Hating Hollywood

Movie about its own production processes could not help be anything but solipsistic. And such proves to be the case here - overlaid with the director’s obvious despair at the state of heterosexual relations, in general, in the Western world.

These relationships are presented as financial transactions rather than as a form of sharing – and so are always doomed to fail. Yet, the reasons for this are never dramatically explored; resulting in characters – despite the first-rate cast – who are never more than stereotypes.

The difficulty of artists like the director here getting the money to make the kind of films they want to make is shown in the Philistinism of his producer (expertly played by Jack PALANCE) wanting to modernize Homer’s Odyssey. Fritz LANG plays the world-weary film director in front of the camera as an alter ego for the director behind it. LANG is funny, charming and amusing – especially since LANG must have understood, from his own experience, the issues raised in the script he is performing.

In the end, where this film should have been playful, it is depressing; where it should have been profound, it is trite. Like Fellini’s Eight and a Half, this is evidence of a director coasting, treading water and floundering without any real direction.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.