Tuesday 27 September 2011

Zulu
(1964)


Also Known As:
Unknown
Year:
1964
Country:
United Kingdom…
Predominant Genre:
War
Director:
Cy Endfield…
Outstanding Performances:
Mangosuthu BUTHELEZI… Nigel GREEN… Patrick MAGEE…
Premiss:
Outnumbered British soldiers battle Zulu warriors.
Themes:
Christianity | Courage | Destiny | Empathy | Ethnicity | Friendship | Humanity | Identity | Loyalty | Mankind | Materialism | Narcissism | Personal change | Self-expression | Sexism | Social class | Snobbery | Solipsism | White culture | White supremacy
Similar (in Plot, Theme or Style) to:
Zulu Dawn (1979)…
Review Format:
DVD

English Social Hierarchy

Summary: Jolly-good fun.

Unusually, this Boy’s Own adventure treats its natives as genetic equals and suggests the British Empire was essentially a mistake.

The story is also very much a part of so-called Black History as well as White – a tacit assumption rare in White movies. (Ironic, given that the film was shot in apartheid South Africa.) The Zulu here never experience the White supremacist stereotyping found in, for example, most Hollywood Westerns regarding Native-Americans. There is not only drama between the Whites, but also between the Blacks and the Whites; effectively doubling the dramatic possibilities.

A subtle exploration of the whys and wherefores of British imperial failure in being not only anti-war but also in being as non-White supremacist as it is pro-Welsh.

This superb war movie mixes violent action with subtle comments on the English class system in the initially-nitpicking relationship between Stanley BAKER and Michael CAINE. This is all beautifully played-out through the high quality of the acting and the solid writing of the fully-realised characters.

Ultimately, the film suggests that the mutual respect of equals in battle can finally trump the need for conflict at all. Hopelessly idealistic, of course, but jolly good fun.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.