Thursday 3 March 2011

Invisible Princess
(1999)

RATING: 80%



Clever look at White supremacism and its affects on Blacks in terms of families destroyed by the separation of relatives during the transatlantic slave trade and the difficulty of establishing a positive sense of self when one is told, for example, that Black women can never be beautiful simply because they are black.

That there are no White supremacists who are blind from birth is carefully-evoked by a blind White girl who can see the beauty of the Invisible Princess.

An easy read for children, given the extensive use of analogy and metaphor in this allegory of the relations between the so-called races. The mythological approach enables the narrative to focus on archetypes; thereby avoiding any crude stereotyping of either racists or their victims. Black family life is shown as respectful of the elderly, of tradition, of the difference between who you are and how you are seen (the Invisible Princess & the Village of Visible) and of nature itself.

Naively, this book presents a reformed slave-owner yet, the fact that the central character is Black, makes this is a useful primer in the development of a Black racial identity in a White supremacist culture. This is especially true because it presents positive Black role models - as do Mary Hoffman's Grace books.


Copyright © 2011 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.