Sunday, 23 October 2016

FRANKIE BOYLE: Live


Also Known As:
Unknown
Year:
2008
Country:
United Kingdom…
Predominant Genre:
Comedy
Director:
Brian Klein…
Outstanding Performances:
None.
Premiss:
Various
Themes:
Alienation | Destiny | Emotional repression | Loneliness | Political Correctness | Republicanism | Social class | White culture | White guilt | White supremacy
Similar (in Plot, Theme or Style) to:
Eddie Murphy | Richard Pryor
Review Format:
DVD

Soi-disant Black comic who provides a good night out, but has little of any real political weight to say.

BOYLE never goes deeply into any subject, but relies on a superficial turn-of-wit that resembles marketing slogans in which the form and the content are identical.

BOYLE’s anti-capitalist UK republicanism is frequently implied but never fruitfully explored in his quest for the next big laugh. Interestingly, he has regular, surreal moments conjuring up brilliant word-pictures to accurately describe something he is railing against – with incredible pith and celerity.

This is a man who has still not come to terms with his personal demons (eg, fear of the disabled & and his Negrophobia) to allow him to become an outstanding comic. He is nothing like the actual Black comics whose symbolism he appropriates (eg, Richard Pryor or Eddie Murphy).

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.