Monday, 13 December 2010

Hero
[Accidental Hero]
(1992)

40%



Semi-clever movie that tries hard to be another Capricorn One in being a disquisition on lies that tell the truth.

In common with this theme, the movie itself is a lie which tries to tell the truth in a futile attempt to resurrect the spirit of Frank Capra. The claim that heroes are so desperately needed in a cynical Western culture is not fully explored and the characters never come to life as they should in a story of the essence of humanity. The communitarianism of the plot is insincere since it does not define heroism - especially its inherent irrationality. The point about our need of heroes who look like heroes; that is, are as attractive physically as they are ethically is well made, but the glosses over the reality of most people's lives in a typically superficial Hollywood manner.

Rather a waste of first-rate actors in a story that is also about the redemption of a father who (like the Dad in Close Encounters of the Third Kind) abandons his wife and son to a life of petty crime. There are, in fact, too many themes at odds with one another here - with none examined in sufficient dramatic depth.


Copyright © 2010 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.