Sunday 20 March 2016

Mansfield Park
(1998)

RATING:80%
FORMAT:DVD

Human sexuality and (its perverse corollary) rape are more in evidence here than one would ever imagine possible in a Jane Austen adaptation and breathes a welcome breath of fresh air through the whole period drama style. This is allied to an unusually eidetic appreciation of the racist source of the UK’s Industrial Revolution inspired wealth. But the modish references to slavery are not fully developed and are still shown as something that happens far away; leaving its beneficiaries not unduly troubled.

All of these features make this an exceptional movie of its kind; while still detailing the usual social class conflicts between the arranged marriages necessary to perpetuate the class system. Along with the idea of marrying for love, so beloved of nineteenth century lady novelists who are far too intelligent to adapt to the gender roles assigned them at birth. Cleverly, the heroine here is also the author as she directly narrates the plot through her own short stories that are, themselves, then published.

Austen's satirical wit and sense of irony are both ever present regarding those leisured types who have little to do all day but snipe and bicker and presume airs & graces over others. Theirs is the essentially lonely materialism of a world where fear of poverty is actually greater than desire for wealth, such that it becomes fear of the poor themselves - as if the latter had a communicable disease.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.