Saturday 18 January 2014

Alexander
[Director’s Cut]
(2005)

RATING:40%
FORMAT:DVD



A rather elliptically-convoluted tale of a great military leader that fails to illuminate because it spends too much time making parallels with the present military adventurism of the United States to tell us much about the ancient world as well.

Colin FARRELL is quite wrong for the part despite his great efforts to make this role work for him. He is simply not a king actor as, say, Orson Welles was and cannot give his part the necessary gravitas required for the role of a man with a self-appointed mission to unite the world.

The film plays out with undoubted conviction and sincerity on the director, Oliver STONE’s part, but never really finds much to say about its eponymous hero. This movie is little more than a set of impressive tableaux vivants rather than a look at a legendary figure - expressed through action and combat.

The only part that makes any dramatic sense is that of Alexander’s mother, Olympias, intensely played by Angelina JOLIE. She is the real power behind the throne for whom ensuring her son does well is a matter of personal survival. If he were replaced as King of Macedonia, she too would lose her life. This film allows her inherent tigress qualities to emerge to excellent dramatic effect: What a pity the rest of the film did not raise its game to at least meet her in the dramaturgical middle.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.