Wednesday, 1 April 2009

Ladybird, Ladybird
(1994)

80%

Ladybird, ladybird, fly away home,
Your house is on fire,
Your children shall burn!

The dependable director Ken LOACH has crafted yet another fine tale of those who can't seem to get a firm grip on their lives that are spiraling out of control through unresolved flaws in their personalities.

Kenneth LOACH presents poor people as people and not as stereotypes. Blacks are also presented positively which, for a white filmmaker, is unusual. This, indeed, is his main contribution to cinema: Visual naturalism coupled with psychological realism. Most drama is psychologically unrealistic because it is stereotypical rather than archetypal. Attempts are made to politically and culturally pigeonhole fictional characters to give vent to the political positions of the writers; while little is done to elucidate human nature, as such. In Loach's work, the tail never wags the dog: Characters conform to archetypes and not our neurotic needs.

This is a difficult film to take because it deliberately focuses on a woman who is clearly unfit to be a mother. Yet we are required to empathize with her in her struggles to come-to-terms with her own abusive children, yet protect her children from her liking for abusive males. That Loach should flatter his audience's intelligence with a task so challenging is to be commended, and his style is certainly ingratiating, but this one thoroughly earns its 18-certificate through its analysis of the conjunctive nature of domestic violence.

Not a simplified view of reality - and all the better for it. Social workers are shown as being as ineffective at finding solutions to problems as the people with the problems. A childish parasite who was abused as a child and looks for abuse as an adult.

As usual with Loach, the naturalistic acting is first-rate in seeming to not be not so much acting as overheard conversations.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.