Sunday, 10 November 2013

Mumbai Meri Jaan

(2008)

RATING:60%
FORMAT:DVD



[Mumbai My Life]

About any city in the world that has experienced terrorism at close hand.

The ironic title expresses love for a city riven with racial and religious tensions, along with endemic police corruption; while acknowledging that the 7/11/2006 can ultimately be seen as a uniting event.

Despite the fear of public transport resulting from shattered trains and the inevitable persecution of Muslims that results, the characters achieve emotional catharsis through realizing that everyone has the same fears: Redemptive in its limited way.

Structured around the lives of those affected by the bomb blasts, the parallel story strands do not cohere in any meaningfully-dramatic way. This conflicts with the film’s theme that citizens need to come together to beat not terrorists, as such, but their fear-of-terrorism in order to minimize the atomizing of the culture so threatened.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.