Sunday, 25 December 2016

Palm Beach Story


Also Known As:
Unknown
Year:
1942
Country:
United States…
Predominant Genre:
Romance
Director:
Preston Sturges…
Best Performances:
Mary ASTOR… Claudette COLBERT… Rudy VALLÉE…
Premiss:
Inventor needs cash to develop his big idea, so his loving wife decides to raise it for him by divorcing him and marrying a millionaire.
Themes:
Personal change | Self-expression
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Absurdly-plotted comedy about the human absurdity of the relationship between money and sex.

Claudette COLBERT does well in a role that does not really fit her. She is ill-at-ease with slick, fast paced dialogue; preferring to use her cheekily-expressive face to get across the movie’s more censorable elements.

Rudy VALLÉE is brilliant as a mild-mannered millionaire who talks an awful lot of sense about life and business; taking his inherited wealth as it comes – as he does people. Mary ASTOR essays her usual sluttish characterization (based partly on herself) with unmistakable relish and well-meaning gusto. She is silly and superficial, but you cannot help laughing because she is so funny with it. And, as usual with director Preston Sturges, he foregrounds the women as a way of showing how weak and overblown the men are.

Sunday, 18 December 2016

Magdalene Sisters


Also Known As:
Unknown
Year:
2002
Countries:
Ireland… United Kingdom…
Predominant Genre:
Drama
Director:
Peter Mullan…
Best Performances:
None
Premiss:
Three young women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of an asylum.
Themes:
Original Sin | Political Correctness | White culture | White guilt | White supremacy
Similar (in Plot, Theme or Style) to:
Behind Convent Walls
Review Format:
DVD

Erotophobia

About Christian hypocrisy concerning sexual matters and Christian’s gynophobic belief that women are the fount of all Original Sin.

Here, God is not love, but obedience; with the resulting desire for arbitrary power over others in that absence of freewill.

Insightful look into an institutionalized culture that is dying because it hates the individual. This institution here is the wider culture in macrocosm, so that true escape is only possible mentally. The choice offered is to hate yourself or hate others; while pretending that whichever you select is a form of God’s love.

Like all do-gooders, the nuns in this convent are not out to reform their charges. They wish to provide themselves with holier than thou jobs for life by exploiting healthy sexuality for the religiose aggrandizement of the sisters who, themselves, lack a carnal outlet.

Sunday, 11 December 2016

Battre mon Coeur s’est Arrêté


Also Known As:
Beat that my Heart Skipped
Year:
2005
Country:
France…
Predominant Genre:
Crime
Director:
Jacques Audiard…
Best Performance:
Romain DURIS…
Premiss:
A man finds his heart and soul torn between loyalty to his family and a need to be redeemed from his violent lifestyle.
Themes:
Personal change | Self-expression
Similar (in Plot, Theme or Style) to:
Fingers (1978)…
Review Format:
DVD

Leopards, Spots & Change

Unusual, interesting – if somewhat unlikely – tale of a brutal and unscrupulous property-dealing thug who yearns to change his current lifestyle to become a concert pianist.

The only way to make this sincere – and convincing – is via an intense central performance from the lead actor. And that is just what we get: Romain DURIS is an excellent performer who comes across as a hybrid of a young Robert De Niro and a youthful Daniel Day-Lewis.

However, to fully persuade us that a leopard can successfully change his spots, it is essential to explain why he is the way he is and why he would want to change. This movie assumes we already know the answers and thus only plays well to its middle-class gallery.

There is no profound elucidation of human nature here; suggesting the screenwriter can only create characters like his limited self.

Sunday, 4 December 2016

Wild Bunch

They Came Too Late & Stayed Too Long

Westerns rarely come as good, or aspire to the heights of genuine Elizabethan tragedy, as this closet gay tale of loyalty among men who have nothing else to offer one another.

This is a Darwinian tale of men out of time whose thwarted masculinity refuses to change and, thus, they must die; the machine gun here symbolizing the advance of a soulless culture, without adventure - as does the fact that the police here are shown to be just as prone to criminality as the outlaws.

Director Sam Peckinpah is a genius who tells stories visually with minimum dialogue.

As in Shakespearean tragedy, death is the only consummation devoutly to be wished for these men-without-women. ‘Let’s go!’ is repeated throughout, yet these characters have nowhere to go. These men can only find redemption through death, without which their lives would be completely meaningless.

Far from Heaven

40%

Facile product of institutionally-racist minds.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.