Tuesday, 13 April 2010

Mar Adentro
(2004)

60%

WEBSITE: Mar Adentro [Sea Inside; Sea Within] (2004)...

[Sea Inside;
Sea Within]

Despite the brilliance of the acting here, this really does not get down to the nitty gritty of its ostensible subject matter.

The euthanasia theme is never fully explored beyond a pointed attack on Christian hypocrisy. Christians exploit the concept of freewill when God’s goodness is in question, but not when someone who can actually be proven to exist wishes to exercise their right to life. Although politically relevant, this is not enough to completely round out the dramaturgy.

Worse than this, the characterization is so weak that we never really understand the reasons why the central character wants to die when he has a reasonable standard of living. Clint Eastwood’s Million Dollar Baby was so much better in this regard.

Monday, 12 April 2010

Battle of Britain
(1969)

60%
WEBSITE: Battle of Britain...

Somewhat less than the sum of its parts, this would be epic lacks a unifying dramatic thread that truly convinces. The impressive cast duly impresses with the earned gravitas from other, much better pictures - but this is merely a parade of characters, not a dramatic exploration of them. And history without psychological motivation (as Shakespeare well knew) offers no insight or true analysis into the events depicted; rendering them tableau vivant and – as here – mere ballets of death. No matter the sheer technical beauty of the latter they are not enough to engross.

On the plus side, the spectacle is pretty explosive and the Germans are their usual cocksure, well dressed and determined selves. But, despite everything, the ultimate visual and aural compensation of this movie is the Supermarine Spitfire – the best-looking aeroplane ever made.


Copyright © 2010 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

Wednesday, 7 April 2010

Cookie’s Fortune
(1998)

80%

Delicious slice of Southern Gothic, but without Tennessee WILLIAMS’ underlying, morbidly-homosexual sensibility that reflects a less repressed and more positive outlook on life’s pleasures. A paean to the benefits and joys of miscegenation that is deliberately designed to irritate and annoy White supremacists.

Screenwriter Anne RAPP really knows how to recreate a community life she must be readily familiar with, as the slow aggregation of details deliberately mounts up with the deft strokes of her efficient pen. Her theme is essentially misplaced family pride that kills the thing it tries to protect by trying too hard to conceal family secrets that are already well-known. It is just that people have enough self-respect and common courtesy not to mention them. Nevertheless, it is the knowledge that other people know of these things that is so frightening and leads to the self destructive behavior on show here.

The cultural and political snobbery the screenwriter successfully lampoons is of the particularly vicious kind that destroys lives in the errant belief that reputations for being perfect are more important than ordinary human reality; leading to self-destructive one-upmanship.

This is the kind of warm writing that attracts good actors to work for little money to show off their skills for the sheer hell of making movies. And hopefully ones that will be remembered long after the well-paid crap is long forgotten.

The ensemble cast are all excellent, since director Robert Altman usually chooses his performers well. For once, Liv TYLER is a believably-spunky tomboy and not just her usual piece of set decoration; while the sisters played by Julianne MOORE and Glenn CLOSE not-so-secretly loathe each other a la Bette DAVIS and Joan CRAWFORD in Whatever Happened to Baby Jane?


Copyright © 2010 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

Ishqiya
(2010)

60%

WEBSITE: Ishqiya...

Marriage - Indian Style

Reasonable and metaphorical film about the pleasures and pains of heterosexual marriage with an unfocused plot that cannot decide whether to be more serious than jokey.

The two key performances are excellent - Vidya BALAN and Naseeruddin SHAH - as they are both able to overcome the scripts shortcomings with subtle portrayals of people in difficult situations without resorting to the excessive melodramatic ticks that can usually bedevil Bollywood cinema.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.